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AN
EDITOR REMEMBERS.........
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Issue
Seven, Aug./Sept.1976 |
Issue
Seven. Once we'd tried the magazine format we realised it
was a slippery slope size-wise, and this one shot up to 17 pages.
The mag was also bigger as it was the summer holidays, so I
just signed on and got to work (I'd had holiday jobs during
school years but there wasn't much about in Manchester at the
time. Though I do vividly recall an advert for a temporary lab
assistant to help care for rats being used in experiments. 'Must
be nimble fingered' ran the copy in the job centre!). The info
subject this time was Blackmore's guitars (put together by Nick
Robinson) and there was a lengthy interview with Ritchie reprinted
from Guitar magazine too. Costs were rising but even so we'd
managed to keep the first subscribers going for 6 issues before
renewing. I'd come up with the idea of calling the magazine
Stargazer (the track had really impressed me) and found one
of those limited edition Letraset typefaces made of small stars,
so bought myself a sheet (they were hugely costly, to make sure
only people in the design industry got them!) and did the logo
from that. The photocopying quality was poor, once my typed
pages had been reduced from A4 to A5, then recopied, but it
was readable - just! Howie Kehl's name crops up on the letters
page, he's now in Australia and been helping Drew on the Purple
projects over there. The Rainbow tour was imminent (we got excited
just at the first sight of a colour pic of the band on stage!)
and we suggested everyone wore their badge or t-shirt so we
could say hello...
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ISSUE
SEVEN: DIGEST & INDEX
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RAINBOW
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DEEP
PURPLE
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IAN
GILLAN BAND
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RAINBOW
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August
31st |
Bristol |
Hippodrome |
September
1st |
Leicester |
De
Montfort Hall |
September
3rd |
Liverpool |
Empire
Theatre |
September
4th |
Edinburgh |
Playhouse |
September
5th |
Manchester |
Free
Trade Hall |
September
7th, 8th & 9th |
London |
Hammersmith
Odeon |
September
11th |
Birmingham |
Odeon |
September
12th |
Southampton |
Odeon |
September
13th |
Cardiff |
Capitol |
The
dates are preceded by one date in France at the Orange Festival
on August 28th. More European dates follow in late September.
UK support are Stretch (yawn). A rave review from the US Tour
in 'Sounds' will probably double the speed at which tickets
go. He destroyed his guitar in New York for the first time
since forming Rainbow. Thin Lizzy were to support them on
several dates (though they are selling more records there
than Rainbow, who only got to no.48), but Lynott was taken
ill.
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DEEP
PURPLE
Deep
Purple Split
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Hardly a surprise. Coverdale officially left
right after the Liverpool gig. Paice and Lord are forming a
new band together, a bit surprisingly as we expected Lord to
go into his classical projects. They have Tony Ashton on vocals,
who has worked on and off with Lord for the past four years.
Both of them were at the Butterfly Ball show. They are advertising
for a lead and bass player, the ads were in Sounds and Melody
Maker 31.7.76, though no names were mentioned. Coverdale records
his solo LP soon, and Hughes is back with Trapeze.
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The
IAN GILLAN BAND
Child
In Time - Record Review
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"The production has left the potential
of the band completely hidden. It's overproduced to a point
where the group's natural energy sounds contrived, it's usually
the drive and freshness of a new band which attracts attention
- vis. 'In Rock'. Gillan sings on typical rock themes, ie. bed,
but the backing is incongruous. Everything has a soft Americanised
touch, and is altogether too rich. It will appeal more to the
25-35 age group. It sounds old." Ann.
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Personnel
Changes
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Ian Gillan's personnel is changing faster
than Blackmore's! Keyboard player Mike Moran was replaced for
the French Tour by Micky Lee Soule (ex. Elf), who was in turn
replaced by Colin Towns after the tour before they left for
America.
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Bits
& Pieces
Jon
Lord
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Jon Lord has a solo LP ready, called 'Sarabande'.
It's Lord backed by a four piece rock-band and the 98 piece
Hungarian Philharmonic Orchestra. It has been in the pipeline
since April 1975 and was recorded in Dusseldorf.
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© 2002 DPAS/Darker
Than Blue.
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