DPAS
LIVE REVIEW
The
Hughes Turner Project
Tokyo
Shibuya Quatro, Japan. May 19th 2002.
The venue was a complete sell-out, and getting very hot by the time
that Glenn Hughes and Joe Lynn Turner took to the stage in front of
a very expectant audience. Both singers arrived complete with matching
sunglasses (very Blues Brothers!) to thunderous applause.
The
first two songs followed the track listing of the Hughes Turner Project
album,"Devil's Road", and "Can't Stop Rock 'n' Roll" .
Rainbow tunes "Death Alley Driver", and "I Surrender"
followed, accompanied by a mass singalong from the audience.
We then had
"Stormbringer" with Joe on slide guitar (!). In
a slot dedicated to Joe's solo career he sang "Challenge Them All",
(a tune used in a TV commercial for a famous brand of Japanese beer)
and then "Dark Days", a bonus track from the Japanese edition
of his 2001 solo album "Slam". I particularly enjoyed hearing it played
by the Highes Turner Project band.
Now
it was Glenn's turn to take centre stage. First he hit the audience
with "Mistreated", with Joe in support on backing vocals and
slide guitar (he even took a short lead break). "No Stranger To Love",
a track co-written with Tony Iommi for the 1985 "Seventh Star"
album was also warmly welcomed. During "Can't Stop The Flood"
(from Glenn's last studio album 'Building The Machine') the audience
took the opportunity to sing along with the song, while I heard others
scream out "Voice of God !!"
The
band line-up:
Vocals_ Joe Lynn Turner
Bass_ Glenn Hughes
Guitar_ Akira Kajiyama
Keyboard_ Toshio Egawa
Drums_ Yoshihiro Kudo
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I was struck throughout by Akira Kajiyama & Joe Lynn Turner's twin
guitar work, and by Glenn & Joe's harmony vocals. It was immediately
obvious that the superb backing vocals provided behind each other's
lead singing was an integral feature of the band's sound. This was especially
evident in the Hughes Turner Project track "Better Man" a personal
favourite from the album. The harmonies were wonderfully soulful on
this track (which is basically a very successful remake of 'Sail
Away') and Joe once again played guitar as well as singing.
Another
HTP track, "Ride The Storm" wrapped up the first half of the
show, and lead in to some slower tempo material, beginning with the
'Slaves & Masters' opener "King Of
Dreams".
Joe continued with "Street of Dreams", one of the most popular
Rainbow songs in Japan, accompanied by an audience who seemed to know
all of the words!! It really showed how much the fans love the song.
Joe
and Glenn pointing out a spotlight on the ceiling introduced, wait for
it.. "Spotlight Kid" (pure cheese!...) The track drove
the crowd wild! We were exhausted by the time that Joe ended the show
with a few words in which he introduced the tour entourage, and thanked
the promoter
and record company. The five band members then joined hands, bowed and
left the stage.
The
2002 HTP Japanese Tour
May
11th, Drum Logos, Fukuoka
May 12th, Club Quatro, Hiroshima
May 13th, Big Cat, Osaka
May 15th, Bottom Line, Nagoya
May 16th, Junk Box, Nagano, Japan
May 17th, Club Quatro, Tokyo
May 19th, Club Quatro, Tokyo
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After
some deafening audience noise calling for an encore, they reappeared,
and dived straight into "Burn". The audience participation was
almost enough to drown out the band! "Highway Star" followed
with a major surprise, Joe Lynn Turner taking a guitar solo! The show
drew to a close.
The
band didn't come back for a second encore, instead the audience entertained
themselves with an impromptu "Smoke On The Water". We simply didn't
want the show to end, but 2 hours is planty long enough when compared
to other rock shows in Japan these days. On top of that, it was pure
undiluted class, with absolutely no wasted space.I
hope that all HTP fans around the world get to enjoy this GREAT show.
I would lilke to say THANKS to HTP!!
review:
Kaoru Hoshino, photos: Pony Canyon Records / Osamu "Tio" Suzuki
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